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The Journals

About The Series  •   September  •   October  •   November  •   December  •   January  •  February

drawing tetons

September 14, 10:12pm

Under all the excitement of travel and new places, there is a fearful sense that I, for perhaps the first time in my life I have absolutely no idea what I'm doing. Sure I've kept up all the appearances, I've planned, I've studied, set goals, attended dutifully to debts, and said all the necessary goodbyes. I've done all that I can to insure my friends and family that I will be okay out here, living out of a van alone for the next three months. I myself have doubts. I'm not even sure why I've decided to do this, except that I have to do "something". The things that used to work aren't working anymore, and I've begun to feel that I've run short on stories to tell. What other reason do I need after all?

I'm driving a 1999 Chevy Astrovan, which lacks utterly the charm of a VW bus, or even the beat-up old panel van I initially envisioned. Its the kind of vehicle not frequently associated with cross-country pilgrimages, more often seen parked in front of a modest suburban home with a great lawn. So this is my chariot into the fires of the unknown; a sensible, practical mini-van. I've decided to name her Micaëla, after the tragic character in Bizet's Carmen. In the opera, Micaëla pleads with Don José, that he come back home and be sensible, and stop chasing after Carmen.

The weather on this first day out was aptly gloomy, and a sense of vague dread settled in as I pulled out of the driveway of my parents' home. My father stood and waved, and I carried all the worries wrapped up in that wave for the first ninety miles west. It rained. The tires whined and thumped over patches of alternately grooved and solid pavement, the sound was like a giant artificial heart with a murmur, and I felt very sad. Was I running away? Could I be so sure that I wasn't? Was I actually going to learn anything about painting out here? Did it matter? I was just passing through the Allegheny Mountain Tunnel when the doubts fell away. I was listening to Johnny Cash sing Orange Blossom special, threading my way beneath the mountain, and suddenly everything was perfect, even my doubt. I felt a fluttering enthusiasm in my stomach. I commenced to belting out the choruses and the tires slapped time. I emerged from the tunnel into a grand play of sunshine, with towering cumulous churning across the sky. I'm camped tonight in a little campground in West VA, tomorrow I hope to make Saint Lewis.

September 16

Kansas, I never knew it was so beautiful. Nothing seems to quarrel with nature here, no tree pushes up very far. The entire prairie rests in quiescence beneath a wide open sky, and what skies. Blue and clear and forever, and when the sun sets, it sets for a long time. I made a first attempt at foraging today, harvested some wild dandy-lion from the grass behind a gas station. I will never do that again. The stuff was incredibly fibrous, tough to the point of inedibility. I just kept chewing and chewing and chewing, and finally just had to spit it out. I am sure that it was dandy-lion, and thus sure I didn't poison myself, but it must only be palatable when young. I'm camping tonight at Milford Dam state park, in a little spot right on the water. I opened up the van and let the crisp, clean wind blow through her. The place is mostly deserted, except for mosquitoes.

The park is down a whole series of gravel roads, and the signs aren't very clearly marked. It was because of this that I took a turn down a long, narrow service road that ended in a dead-end and a bawdy surprise. The road ended in a small circular patch of gravel, not big enough to turn around in. There was a navy-blue Cadillac parked in the right half of the circle. Near the rear passenger side door sat a pair of women's platform shoes, hot pink and wholly incongruous with the terrain. It was then that I noticed three figures in the field. A man with a large camera waved his arms wildly. Another man stood at the edge of the field, his back was to me as though to say, "nothin' going on here, just standin' in the field". Between the two men there was a woman, wholly naked save some sort of shear scarf. Her pale ass was turned to the camera, and her head turned over her left shoulder. The type of deep red hair you get only from hair dye spilled over her shoulders and peeked from her sex. She smi led at me. Not wanting to interrupt such a clearly private affair, I attempted to turn around, but found that the limited space at the end of the road forced me into an awkward fifteen-point turnabout. Eventually I did manage to get the van turned around, and laughing nervously, headed back to the main road.

I remember I used to go exploring the thin woods that surrounded my suburban childhood. Every now and again I'd happen upon the rusted out remains of an old car. For some reason, they always seemed to have an assortment of old socks, pants, shoes and underwear scattered around the interior, like some frantic orgy had happened there years before. Digging through the scraps of soiled cloth I used to reconstruct these sordid scenes, complete with witches, Satanists, and perverts. Usually I would reach a point of revulsion and terror so extreme that I would have to flee, praying that I wasn't followed. I felt that I had just stumbled upon the prelude to one of those strange arboreal rights, practiced in wooded areas everywhere, just out of sight. I wonder if the Cadillac is now sitting empty in the Kansas woods, the seats cracked, the windows broken, the wheels gone, and just barely visible through the rotting leaves on the floor, a pair of hot-pink platform shoes.

September 17

Outside of Milford the prairies go flat. The wind averages gusts of about 40 miles per hour, sending curtains of dust across the highway. I should note that the first time an Easterner sees a real tumbleweed it's a big deal. We only know them from movies, so in a sense tumbleweeds seem like set-pieces left over from old westerns. I-70 is dusty and straight and desolate. Occasionally one passes an old church, painted in austere white with black trim. Other than churches and gas stations the road is liberally peppered with Adult Novelty shops. I continue to be haunted by the scene in the woods the day before: the strange smile, the pale skin, the dark red hair. The loneliness is setting in. Its late in the year and I'd really like to spend some serious time in the Rocky Mountains, so I've decided to hot foot it to Gunnison, CO before I break out the paints.

September 18

Continuing west on I-70, just past a little town called Genoa, there is a decidedly strange piece of Americana called the Tower Museum. Built in the twenties by Charles W. Gregory, some rooms are mortared together in petrified wood, some in rocks of every shape and texture. The whole thing looks as though it could fall over at any moment, and its filled with cast off bits of flea-market Americana. You've got your old ivory combs and pitted straight razors, WW II gas masks, even a two-headed calf. The place feels as though it is held together merely out of magnetism, like there is a lode stone beneath it that has attracted all the scrap metal and rock and farm equipment in a thousand mile radius and deposited it there in a random pile. I stopped there initially to use the bathroom (an old outhouse that threatened to blow over), but ended up wandering around the place for quite a while. I pulled into the town of Gunnison, CO this evening after crossing Monarch Pass, utterly wasted by the road.

black canyon

September 20

Camping. I love it now, but the fun won't last. I have yet to master the art of a good cooking fire, and today I knocked a whole griddle full of half-cooked pancakes into the fire. The simplest operations become very complex. I've got to learn to just appreciate each moment I'm out here, and not worry if my sluggish camp skills eat into my painting time. There is no surer way to perpetuate some problem than by rushing through it. So these first days have been very instructional. The Black Canyon of the Gunnison is incredible, blues and blacks straight out of night, stretched out nude in the daylight. The entire canyon is composed of a gray rock called gneiss and threaded with pegmatite, a crumbly amalgam of quarts and other minerals, said to be a climber's nightmare. They say that it's very inhospitable inside the gorge, lined with poison ivy and nearly too narrow to walk through in places. Never have I seen such complex blues and blacks. The crickets sing all day beneath the boulders, they don't even bother to stop chirping when you walk past. I did some drawing in the morning and painted in the afternoon. All the preparations for the trip kept me from steady practice, so it was very difficult day. I struggled much with things that are normally easy, and felt kind of hollowed-out by day's end. I managed to avoid sunburn, but not tourists. I am now featured like a piece of wildlife in many a stranger's snapshots. I thought about charging a quarter per picture, or maybe even a whole dollar. I must cultivate some signal that says to people, "I am very busy here, please let me be". It is nice that people are interested in what I'm doing, so I always try to be friendly. But sometimes, when the light is changing, and I'm struggling like mad just to get something down, I just don't care about your nephew's taxidermy business, or how well your grandson draws SpongeBob.

September 22

Crested Butte, CO has proved to be a wonderful place to get a little of the comforts of indoors living. I'm staying at a big youth hostel here which is mostly deserted. I have a whole room to myself. I attempted to update the online version of this travelogue at the public library, but couldn't seem to get it to work, something about permissions the old box says. Here I am nine days out, far enough from home to be what they call "committed" to the trip, and all the efforts to reach back to the past just feel hollow, so perhaps the blog will have to wait.

There is a kind of cycle to being alone. First you feel very elated, for finally you are the master of your days, the king of the world. Next comes this overwhelming desire to share experiences with people, you smile at everyone, laugh easily, and god-forbid you should enter into a casual conversation, because it will get very deep for you, very fast, and your hapless victim will leave with an ache in their soul. At this point the true loneliness of the road sets in. Your experiences confront you, but you are a stranger, and you have no good words for them anyway. After this awkward period of silence, where entire days pass without words, you open your mouth, you speak, and it sounds different. I regard this as a good thing. It is around this point when you become comfortable with your solitude. You miss home, and people that you love, but you don't cling to them anymore. Attempting to post a few entries on-line, I felt that I was clinging, attempting to justify my traveling with some concrete result.

My painting practice has been run through the ringer. I'm surrounded by unfamiliar violets and blues, everything is enormous, and the stones of each mountain ring with a different color. There is no time, yet I cannot make myself hurry. I must stop planning and conniving and orchestrating effects. I must stop trying to prove something.

September 23

Painting went better today, I'm not pleased with the result, but my thoughts did not chatter and disturb me all day long. I'm used to the muggy atmosphere of the old east coast cities, but those old tricks don't serve me here. The higher elevation lack of humidity creates very different color. Shadows have a great Ultramarine coolness to them, and color shifts much less toward neutral as it recedes. . It's interesting to note that the sunset happens earlier than elsewhere, being as the entire town is surrounded by mountains. There is a long Dusk, with a lavender cast. The scenery is ridiculously grandiose. It seems somehow wrong to make small paintings of it, as if you are shrinking it inappropriately.

September 25

Hiked up to the summit of Mount Crested Butte. It was a long hike, equally divided between service roads and switch-backed paths, terminated in a nervy scramble over loose, ponderous, and jagged boulders. The view was sublime. It was an abnormally hazy day and everything at that elevation was bathed in a lavender haze. I did a quick sketch from the summit, while well buffeted by cold winds. I nearly got stuck in the dark up there, underestimating the time I needed to get back down. I got back to Micaela just as the last sunlight drifted from the peaks.

September 26

Camping in Rocky Mountain national park, next to a little stand of aspens with coarse, elk-mauled trunks. I can hear the Elk bugling a little ways off. For quite a while I wasn't sure what the sound was, only that it was ghostly. The Elks' call is diaphanous, a thing all of air and steam, which seems wholly incongruous to their bulk and physical presence.

I painted today up above tree line off of Trail Ridge Road. It was freezing up there. It was difficult to find shelter from the wind. As it happened, the wind was blowing from the same direction as the sun, so if I wanted out of the wind I had to be in the shade. I tightened up my face mask, screwed down my hat, and perched myself on a little outcropping shielded from the wind and tourists. I felt like I was the only one there for a while. About halfway through my painting I heard a trickling sound somewhat like a mountain stream. Thinking this odd I looked around for its source, and discovered, to my horror, a stream of steaming urine coming down from above. It piddled and splashed on the rocks two feet from me and I had to duck for cover. I cleared my throat loudly, but the wind must have been in the pisser's ears because the stream kept going for a while. As I got back to painting I heard laughter from the rocks above.

(As an aside to these journals, I should note that upon returning home to my family and sharing my sketches with them, my father saw this sketch and immediately exclaimed, "Its Longs Peak!". After rifling through box of old Black and White photos he produced a snap shot taken from nearly the exact same spot 30 years ago, when he was on a cross-country road-trip of his own.)

September 29

Solitude is a cold night, with the moon the white of a fingernail, and elk bugling in the distance, with steely mountains grimly mustached in clouds; a dim lantern, cooling embers, a belly just a little two full, and both ears idling. I just spent a few days visiting V_ in Boulder, laughing, eating, drinking, and generally being sociable. After a night of carousing downtown we hiked to lunch at the Chataqua Dining Hall; quite a hike, and quite a lunch. At one point I found myself so giddy from the great food and companions that I couldn't stop laughing. It is good to have something to gauge your solitude by now and again. Struggling with a terrible and ill-fated attraction for V_, something which I have resolved to keep to myself. I have not even come to terms with being alone yet, and everywhere I look for a way around it. But as I pen these words I think about risk, I think about spending one experience entire, and letting life reel out from it, I think about the dream I had before I left.

V_ and I are sitting outside, across from each other, we are looking into each other's eyes. She is a child, then an adult, then she is old. Every stage slowly blending into the next, and I love her. I am joyful. We say nothing, there is just this gentle feeling all around us. I awoke with feelings I did not have a place for, and still don't.

September 30

Sat in my van before daybreak in complete darkness, I imagined that I was in the belly of some vast ocean going vessel. The only sound other than the slight hum of my ears on idle was the bugling of an elk herd twenty feet from my camp. It is a beautiful sound, and a lonely one. I closed my eyes and imagined they were sea creatures, a little more work and I could feel the van rocking on the waves. The aspens have turned yellow amongst the evergreens and come out from them bright and flat like fire…

Tomorrow morning I need to look at some sketches by Constable, and see just how they have been put together. I feel that I am taking a lot more time than necessary in getting down the essentials. I'm finally adjusting to the light, and sleeping like I mean it.

next up:
Thunderstorms, Horizontal Lightning and Demons,Demons,Demons



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